LINGUISTIC FLUIDITY IN ASAKE’S “JOHA”: A CRITICAL ANALYSIS OF CODE SWITCHING IN HIP-HOP

Authors

  • Michael James Holloway Department of English, The University of Alabama- Tuscaloosa AL 35487, USA

DOI:

https://doi.org/10.5281/zenodo.13880221%20

Keywords:

Code-switching, hip-hop, Cultural identity, Sociolinguistics, Postcolonialism

Abstract

The study on " hip-hop Literacy: A Critical Analysis of Code Switching in Asake’s Musical Video – “Joha” explores the phenomenon of code-switching in hip-hop music, focusing on its role in expressing cultural identity, resistance, and societal critique. It examines the fusion of multiple languages in Nigerian hip-hop music to convey messages and project cultural values, highlighting the work of Asake and others. The study employs a sociolinguistic approach to analyze how Nigerian hip-hop artists use linguistic diversity to maintain global relevance while promoting their cultural heritage and addressing postcolonial identities. The study reveals that code-switching in hip-hop serves as an aesthetic choice, a resistance tool, and a way to engage both local and global audiences, reinforcing the genre's impact on literacy outside traditional educational contexts.

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Published

2024-10-03

How to Cite

Holloway , M. J. (2024). LINGUISTIC FLUIDITY IN ASAKE’S “JOHA”: A CRITICAL ANALYSIS OF CODE SWITCHING IN HIP-HOP . Research Journal of Literature, Languages and Linguistics, 12(1), 1–10. https://doi.org/10.5281/zenodo.13880221

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Articles